Portrait de Madeleine Riffaud

Jones Irwin, Republic of Ireland

14 January 2026

After a drawing by Picasso, November 1944

At just nineteen

You shot and killed a Nazi

Near Le Louvre

 

Arrested and tortured

You escaped the Gestapo

By jumping a train

 

Once again they recaptured you

Sentenced you to death

But the Liberation was just as abrupt

 

On August 19, 1944

You re-entered Paris

A free woman

 

In Picasso’s The Clenched Fist

We see your courageous face

Your long black hair is your valour

Note on “Some Poems from the Passionate Margins of the Alt-Left”

If these poems are political (defiantly they are!), then they don’t sit comfortably for me within any doctrinal or dogmatic ideology. At the same time, they derive their anger and their energy from a passion which is rooted in a recognition of historical and contemporary injustice (whether subtle or more painfully searing), but which also looks to the courage of those prepared to stand up strongly against such degrading forms of oppression. Now and again, these short texts choose to laugh with or at such difficult experiences, also with some self-mocking (as we say in Dublin on the banks of the Liffey, ‘sláinte’). Whether one might say Marxist or Anarchist (or sometimes both), ultimately they conjoin in an ethos from Handsworth’s (neo-Caribbean) Steel Pulse; love thy neighbour. Ah, go on! 

An Irishman in Manchester the Night the Queen Died is part of the “Some Poems from the Passionate Margins of the Alt-Left” Series. You can see the previous poem here.